| Studio | Warner Brothers |
| Running Time | 84 minutes |
| Production |
13th November - 11th December 1933 (Goin' To Heaven on a Mule sequence - January 1934) |
| Release | 28th February 1934 |
| Director | Lloyd Bacon |
| Screenplay | Earl Baldwin |
| Choreographer | Busby Berkeley |
| Music/Lyrics | Harry Warren/ Al Dubin |
| Conductor | Leo F Forbstein |
| Major players | |
|
Al Wonder - Al Jolson Liane Renaud - Kay Francis Inez - Dolores de Rio Harry - Ricardo Cortez Tommy - Dick Powell |
|
| Jolson Songs | |
|
Vive La France Dark Eyes Goin' To Heaven on a Mule |
|
| Background | |
| After the disappointment of Hallelujah I'm a Bum (1933) Al was back at Warner Brothers but only one of many stars in this film. It wasn't a happy shoot as the rest of the cast including Kay Francis and Dick Powell thought Al was hogging scenes. Jolson also had a personality clash with Ricardo Cortez. Jack Warner though was so impressed by the rushes he signed Al for three more pictures. | |
| Reviews | |
|
Romance, flash, dash,colour, songs,star studded talent and almost every known requisite to ensure sturdy attention and attendance. (Variety) |
|
| Verdict | |
| Not Jolson's greatest hour on film, he is swamped here and only has a couple of songs one of which is the Goin' To Heaven On a Mule sequence which is dated and boring. The best thing about Wonder Bar is Busby Berkeley's routine to Don't Say Goodnight. | |
JOLSONMANIA !
A celebration of the life and legacy of Al Jolson.


